There is something about this game that fascinates you, perhaps even more than the game with the water under the bridges, or the labyrinths in the ceilings, or the imperfectly opaque twigs which drift slowly across the surface of your cornea. Depending on where it is, or when it crops up, each card acquires an almost poignant density. You protect, you destroy, you construct, you plot, you concoct one plan after another: a futile exercise, a danger that entails no risk of punishment, a derisory restoration of order: forty-eight cards keep you chained to your room, and you feel almost happy when a ten happens to fall you into place or when a king is unable to thwart you, and you feel almost unhappy when all your patient calculations lead to the same impossible outcome. It is as if this solitary silent strategy were your only way forward, as if it had become your reason for being.
[A Man Asleep, Perec, G.]
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