Planted stiffly on the terraced ground, the olive-trees are drying up. There is a silent, mysterious strength in them; it keeps them upright iin the soil, it climbs up their contorted branches and spreads through their fibres. A determination to be a tree, perhaps, an implacable, intense, perfectly inanimate hardness. Inside the bark, in the narrow recesses of the wood, it works at its vertical task, perfuming, feeding, gently curving the edges of the little glossy leaves. It is in the earth, too, in the sucked-up earth that climbs into them through their roots and turns into the reinforced concrete of their branches, the dry, brittle cement that stretches their countless fingers well up towards the zenith. The stalks of the leaves point up very straight, as though straining towards an invisible sun, and the tree seems to be attached in this way to the breast of the electric clouds, so as to receive their lightning manna.
Along the edge of the road, between the blocks of stone, flowers have grown. A tall, slender stalk, covered with a kind of silvery down, with a cluster of buds and half-open flowers at the top, and at the bottom a Z-shaped root with several hairs growing out of it. All along the grass the leaves lie open, offering their tiny hollows to the dust and wind. Between two arms growing from either side of the body and each ending in a huge leaf, there is a rosette of new born leaflets, and flowers that have not yet opened. It is like a microscopic heart, crumpled, folded in on itself, where nothing is distinct. Something delicate and soft, a little green and grey ball, like a minute face, that is living withdrawn into itself, waiting until the time comes for it to open. At the top of the plant, at the end of a down-curved thread, a cluster of little white flowers, five-petalled stars with faintly yellow-tinted centres, clings in a bunch. From that, too, life must emerge, from these little hairy, scented nests. A muted, indolent life that carries you through the changing seasons, the regular succession of days and nights, the cool hours, the hot hours, the hours of dew, the hours of light, like that, without impatience, without desire.
[The World Is Alive, from Fever, Le Clézio, J. M. G.]
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