But most of all, the prints of men - the fitted shoes which Doctor Habersham and Louis Grenier had brought from the Atlantic seaboard, the cavalry boots in which Alec Holston had ridden behind Francis Marion, and - more myriad almost than leaves, outnumbering all the others lumped together - the moccasins, the deerhide sandals of the forest, worn not by the Indians but by white men, the pioneers, the long hunters, as though they had not only vanquished the wilderness but had even stepped into the very footgear of them they dispossessed (and mete and fitting so, since it was by means of his feet and legs that the white man conquered America; the closed and split U’s of his horses and cattle overlay his own prints always, merely consolidating his victory); - (the jail) watched them all, red men and white and black - the pioneers, the hunters, the forest men with rifles, who made the same light rapid soundless toed-in almost heelless prints as the red men as they dispossessed and who in fact dispossessed the red men for that reason: not because of the grooved barrel but because they could enter the red man’s milieu and make the same footprints that he made; the husbandman printing deep the hard heels of his brogans because of the weight he bore on his shoulders: axe and saw and plough-stock, who dispossessed the forest man for the obverse reason: because with his saw and axe he simply removed, obliterated, the milieu in which the alone the forest man could exist; then the land speculators and the traders in slaves and whiskey who followed the husbandmen, and the politicians who followed the land speculators, printing deeper and deeper the dust of that dusty widening, until at last there was no mark of Chickasaw left in it any more…
[Requiem for a Nun, Faulkner, W.]
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