...of writing

Suddenly he broke off, forgot those around him, and pulled out his notebook, the used part of which, blackened and bloated by his entries, was as thick as an imposing volume. The barely audible sound of the CUMBERLAND pencil fell in with other persistent sounds that intensified the silence; its rhythm was that of a Morse transmitter. The pencil spoke, interfered, argued, asked questions; it was trying to make a point. Though we could not see what was being written - the notebook was half hidden by the writer’s elbow - it must have been verbs which, when we looked up after a time, had acted on the landscape. Every part of it was shot through with a soundless whirring; so that the towering of the cliffs and the lying of the savannah were as much an action as the perching of the birds in the bushes. In the grass at our feet a perpetual greening, in the sky overhead a vibrant bluing, and in between, at eye-level, the forest’s constantly renewed marching-across-the-plain and climbing-the-slope, all its trees, even the dead ones, as though on duty, like streetlamps advancing in long rows, their branches swinging vigorously. What was happened again and again in the rhythm of the pencil, and became, time and time again, what it was.

[Absence, Handke, P.]